John Healy, the son of poor Irish immigrants in London, grows up hardened by violence and soon finds himself overwhelmed by alcoholism. He ends up in the grass arena: the parks and streets of the inner city, where beggars, thieves, prostitutes and killers fight for survival and each day brings the question of where to find the next drink. In his searing autobiography Healy describes with unflinching honesty his experiences of addiction, his escape through learning to play chess in prison, and his ongoing search for peace of mind.
Examines the specific role that the metropolis plays in literary portrayals of Irish migrant experience as an arena for the performance of Irishness, as a catalyst in the transformations of Irishness and as an intrinsic component of second generation Irish identities.
The first critical survey of an unjustly neglected body of literature: the autobiographies and memoirs of writers of Irish birth or background who lived and worked in Britain between 1725 and the present day. It offers a stimulating and provocative introduction to the themes, preoccupations and narrative strategies of a diverse range of writers.
1992 U.S. Olympic dressage squad member Jane Savoie presents a revolutionary approach to riding by which you can train your mind and shape your attitudes to achieve higher levels of skill than ever imagined.
Release on 1858 | by Cuthbert William Johnson,Gouverneur Emerson
Embracing All the Recent Discoveries in Agricultural Chemistry, and the Use of Mineral, Vegetable and Animal Manures, with Descriptions and Figures of American Insects, Injurious to Vegetation. Being a Complete Guide for the Cultivation of Every Variety of Garden and Field Crops. Illustrated by Numerous Engravings of Grasses, Grains, Animals, Implements, Insects, Etc
Author: Cuthbert William Johnson,Gouverneur Emerson
The presence of Irish writers is almost invisible in literary studies of London. The Irish Writing London redresses the critical deficit. A range of experts on particular Irish writers reflect on the diverse experiences and impact this immigrant group has had on the city. Such sustained attention to a location and concern of Irish writing, long passed over, opens up new terrain to not only reveal but create a history of Irish-London writing. Alongside discussions of MacNeice, Boland and McGahern, the autobiography of Brendan Behan and identity of Irish-language writers in London is considered. Written by an internal array of scholars, these new essays on key figures challenge the deep-seated stereotype of what constitutes the proper domain of Irish writing, producing a study that is both culturally and critically alert and a dynamic contribution to literary criticism of the city.
Gilbert Is Dead is a Victorian scientific mystery play: a clever, funny and moving portrait of grief, faith and science. The plot follows Lucius Trickett, London's most celebrated taxidermist, who finds himself in cahoots with Queen Victoria and our hero Gilbert Shirley, to disprove Darwin's theory of evolution with a stuffed specimen of the mysterious ghost loris. But what happens when the missing link goes missing? Robin French's distinctive, often surrealist voice characterised by historically intelligent, meticulously researched subjects and a precise, quirky sense of irony. Very clever, his writing presents an academic, yet accessible, labyrinth, toying with history, scientific theories and popular beliefs. He manages to experiment with form, style and theatrical metaphor whilst also staying firmly rooted in narratives which are engaging, affecting and provide astute social and human comment. The publication of this programme text edition was published to coincide with the world premiere at Hoxton Music Hall (4-29 December 2009), produced by the theatre company Shining Man.